Lal Salaam Review: Rajinikanth Fails to Rescue a Dull, Simplistic, and Melodramatic Film
In “Lal Salaam,” Aishwaryaa Rajinikanth adeptly showcases her ability to create tender moments on screen, reminiscent of her debut film “3.” However, these delicate scenes often take a backseat to the film’s larger thematic concerns, echoing a similar pattern seen in her previous work. One particularly memorable moment involves Rajinikanth’s character, Moideen Bhai, engaging in […]
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