Malaylam

What is distinctive and commendable about Prasanna Vithanage’s “Paradise” is its unique interpretation of the Ramayana. Vithanage uses his leading lady to achieve this, advocating for women’s agency in a direct yet courteous manner. The film’s female perspective is reinforced by the current political climate in Sri Lanka, highlighting the oppression faced by the people […]

A film like “Neram” skillfully combines a comedy of errors with a non-linear narrative. “Pattaapakal,” the latest Malayalam comedy, attempts to replicate this style but falls short due to the writer’s inability to develop solid storylines for each subplot. The movie, with a runtime of 1 hour and 45 minutes, is overrun by uninspired skit

I decided to watch Kareem’s film, “Aaro,” primarily intrigued by its stellar cast including Joju George, Anumol, Rafeeq Ahmed, Bijibal, and Noufal Abdullah. However, as the credits rolled, I couldn’t help but realize that even these esteemed actors have bills to pay. “Aaro” seemed like a relic from the late 70s and early 80s, lost

Jean Paul Lal’s “Nadikar” kicks off with the opulent lifestyle of ‘superstar’ David Padikkal, setting the stage with humor and subtle foreshadowing. Surprisingly, the film maintains a nonchalant demeanor, deviating from expected angst. This casual approach permeates the film’s execution, resulting in a mixed bag of captivating moments and occasional letdowns. Tovino’s portrayal of David