Co-penned by Arthur Harari and helmed by Justine Triet, ‘Anatomy of a Fall’ unfolds as a courtroom drama delving into the intricate narrative of Sandra (Sandra Huller), a successful writer standing trial as the prime suspect in her husband Samuel’s enigmatic death. Vincent (Swann Arlaud), her friend and lawyer, defends her, while her visually impaired son Daniel (Milo Machado) offers his unique perspective on the unfolding events. The film, directed by Triet, challenges viewers to scrutinize their biases and assumptions, engaging them in a mental chess game as the narrative unfolds.
While the premise might echo familiar procedural drama tropes initially, Triet’s direction elevates it to a nuanced exploration of truth and perception. The courtroom scenes eschew the typical formula, offering a dynamic and compelling narrative that goes beyond genre constraints. Initially seeming like a cliched emotional ploy, Daniel’s inclusion as a visually impaired boy torn between his parents takes on depth through Milo Machado’s intricate performance. Sandra Huller’s Oscar-nominated portrayal is justified, capturing a woman unapologetically prioritizing her career and desires while challenging societal norms with a measured blend of fury and restraint.
‘Anatomy of a Fall’ distinguishes itself by compelling the audience to reassess societal expectations within a marriage. This intricate examination transcends language and cultural barriers as Triet meticulously unravels Sandra and Samuel’s relationship, underscoring the subjective nature of truth from an outsider’s perspective. Addressing broader themes like gender roles and the weight of sacrifices made for career and family, the film becomes a poignant exploration of human relationships with a layered script and exceptional performances. Triet’s masterful direction transforms it into a thought-provoking film that not only entertains but also delves deep into its plot with ample depth.
