When a renowned filmmaker unveils a new project, comparisons don’t just stop at other contemporary releases or previous works within the same genre. The scrutiny extends to the filmmaker’s entire body of work, assessing where the latest creation fits in the lineup.
This dynamic plays both for and against “Joshua: Imai Pol Kaakha.” On one hand, when viewed alongside Gautham Vasudev Menon’s celebrated filmography, the film might come off as a letdown. On the flip side, without knowledge of the director, the audience might have disengaged much earlier.
Throughout the film, a sense of inauthenticity permeates the narrative. This feeling taints both its crime and romance elements. Despite the compelling chemistry between the leads, Varun Kamalakannan and Raahei, and the tastefully executed action sequences, the world of “Joshua: Imai Pol Kaakha” feels artificial.
Even the titular reference by a character seems contrived, merely a setup for the title card. Dialogues often lack the authenticity required for the moment. For instance, when the leads sing the romantic duet ‘Vinnaiyum thaandi poovom Vaaruvaaiyaa,’ the reference feels forced.
The film follows Joshua (Varun Kamalakannan), an assassin turned bodyguard, tasked with protecting his former lover Kundhavi (Raahei), whose life is in peril. His deep love for Kundhavi prompts Joshua’s shift from a life of violence to one of protection, willing to go to any lengths for her safety.
Credit is due to the filmmakers for crafting an engaging film out of a somewhat weak premise, spanning over two hours. A notable strength lies in how the romantic and thriller elements complement rather than detract from each other. However, there are moments where the film fails to captivate.
Amidst the narrative, there are amusing one-liners that bring a smile. Varun shines in action sequences, though his romantic and emotional scenes fall short. Raahei’s performance lacks impact, making the audience care more for her character due to the setting rather than her portrayal.
It’s worth mentioning the lackluster lip-syncing of the song ‘Naan Un Joshua’ by both leads. Meanwhile, Krishna Kulasekaran commands attention in his limited role. Dhivyadharshini takes time to settle into the film’s atmosphere, delivering a solid performance once integrated.
In conclusion, “Joshua: Imai Pol Kaakha” thrives mainly on its action sequences and music. While Joshua, the character, stands tall, the same can’t be said for the film as a whole.
