Siren Review: A Promising Thriller Derailed by Clichés and Oversimplification

Jayam Ravi and Keerthy Suresh star in “Siren,” a middling action thriller that starts strong but stumbles with spoon-feeding and underdeveloped subplots. While the film holds initial promise with its intriguing premise of a paroled prisoner and a haunted inspector, it ultimately settles for predictable narratives and convenient writing.

The story follows Thilagavarman (Ravi), released after 14 years for a murder he didn’t commit, and Nandhini (Suresh), a suspended inspector battling her own demons. As a series of mysterious deaths occur, Nandhini suspects Thilagavarman, but lacks concrete evidence. Meanwhile, Thilagavarman navigates life outside prison and tries to reconcile with his estranged daughter.

Director Antony Bhagyaraj, who also contributed to Ajith’s “Viswasam,” begins with a captivating setup. Multiple storylines – a parolee’s adjustment, a strained father-daughter relationship, and the inspector’s internal struggle – pique interest. Additionally, themes of social inequality and caste dynamics add complexity.

However, “Siren” fails to capitalize on its potential. The subplots remain unexplored, offering no emotional depth. The film spoon-feeds information through blatant metaphors and repetitive scenes, undermining the audience’s intelligence.

Despite their best efforts, the performances fall short. Ravi delivers an earnest portrayal, but the script limits him. Suresh’s character, characterized by excessive aggressiveness without clear motivation, feels miscast. The supporting cast, including Samuthirakani and Azhagam Perumal, lack fleshed-out roles.

“Siren” had the makings of a compelling thriller. However, its predictable narratives, oversimplification, and spoon-feeding ultimately prevent it from reaching its full potential. While fans of Ravi and Suresh might find some enjoyment, the film ultimately disappoints with its unfulfilled promise.